The Harmony Museum is open Tuesday through Sunday from 1 to 4 for tours.
Closed Mondays and Holidays.
You may call ahead to arrange group tours. 1-888-821-4822

Click the images to the right to see the full size picture.

Harmonist Room: Here is gathered most of the museum's collection of Harmonist furniture. It has been arranged to depict the lifestyle of the communal group. Encased artifacts supplement the docent's description of Harmonist beliefs and accomplishments.

bed.jpg (36652 bytes)

The Kitchen: Artifacts displayed here were generated in a period that covers well over one hundred years. The table is Harmonist. A carved stone dry sink and a few utensils are of Harmonist origin. Collections of churns, buttermolds and crockery, and an enormous cast iron cookstove, are not Harmonist.

 

kitchen.jpg (49327 bytes)

The Wine Cellar: Outside the kitchen and just off the hall is a narrow stairs, a shortcut descending to join the wine cellar's magnificent cut stone steps. These originally led through massive wooden doors to the outdoors. The vaulted stone wine cellar, dressed-stone entry and floor are marvels of engineering. Stone for the floor was cut at the nearby Harmonist quarry, and fitted on flat ground, with each piece numbered to match the next. Transported to the wine cellar, the giant puzzle was reassembled. To build the arching ceiling, we are told, cut stone was laid up over a wooden rack and cemented into place. After the vital keystones were set, the rack was disassembled and removed. Grapes were crushed outdoors and the wine fermented in the cellar's consistent 50-65 degree temperature. Ascending to the museum hallway again, one views a likeness of Father Rapp. There is also a copy of the original deed to Harmonie written on sheepskin. Harmonie and its environs were sold in 1815 to Abraham Ziegler, a Mennonite blacksmith from eastern Pennsylvania.

 

 

 

cellar.jpg (53346 bytes)

cellar2.jpg (50301 bytes)

cellar3.jpg (58211 bytes)

The Mennonite Room: Houses the museum's Mennonite era collection. From his framed likeness on the wall opposite the entryway, Abraham Ziegler seems to oversee all, including a homey setting of a walking wheel, yarn measured, cane-seated rockers, and so forth. Fine brass-edged showcases contain smaller articles. A primitive corner cupboard was hand-crafted in the 1840s. A photograph of the 1825 Mennonite meeting house is also displayed. This stands not far from the museum and is the most original early Mennonite meeting house in the nation.

 

 

 

menn.jpg (39284 bytes)

AZ.jpg (25314 bytes)
 

Gunsmith Charles Flowers: Harmony’s Charles Flowers made percussion long rifles in the classical Pennsylvania style ca. 1850-1890. A former coal miner, he changed careers at about the age of 30 to build custom rifles by hand when relatively inexpensive factory-made rifles were becoming readily available. Flowers rifles have a long barrel engraved "C. Flowers" or "C.F." in script on the top flat, and are fully stocked in curly maple with back-action locks. A most distinctive feature is a brass plate protect the stock from corrosive effect of percussion cap flash. Other elements that generally distinguish Flowers' rifles include incised butt and fore stock carving, decorative patch box and German silver escutcheons, inlays and other silver or brass mountings, incised lines framing the sights, fore stock wear plates of German silver or brass, and decorated muzzle faces. Flowers, a Civil War veteran, died in 1897 and was buried behind the Mennonite meetinghouse north of Harmony. His shop was behind the family home two blocks from the town diamond. Neither survived the 20th century.

The Harmony Museum’s remarkable Ball Collection exhibits 10 rifles spanning Flowers’ career. Generally reflecting the requirements of those for whom they were built, they range in appearance from plain to ostentatious. Among them  are the earliest known example of Flowers' work (ca. 1850-55), and the lavishly decorated rifle pictured in Henry J. Kauffman's book “The Pennsylvania-Kentucky Rifle.”
 


 


 

 

 

 

 

 

 

 

The History Room: This room's exhibits represent other elements of area history.  These include Native American artifacts, George Washington's 1753 mission through the region, postcards and documents from the region's past, working model of an early 20th century oil well, and primitive implements from Early America.

 

 

tools.jpg (35356 bytes)

 

Native Americans: The earliest known native occupation of southwestern Pennsylvania was ca. 14,000 B.C.  A much later people called the Monongahela, of whom little is known, disappeared from the region early in the 17th century. Although the region never had a large permanent native population, a number of settlements appeared and disappeared between the late 1600s and late 1700s. Most were Lenni Lenape, called Delawares by Europeans, and Shawnees. In 1753 George Washington visited a Delaware village on the Connoquenessing Creek where Harmony would be established by German immigrants 51 years later. The Harmony Museum’s History Room exhibit includes native artifacts representative of the region’s 18th century Native American populations. Many, although not all, were collected locally. The collection includes war clubs, ax heads, arrow and spear points, and fish hooks.
 

 

 

 

 

Washington Starts French & Indian War: George Washington precipitated the first global war with a 1753 military mission to what would become western Pennsylvania. American history would likely have been much different had he been killed in either of two very close calls here late that December. In the region, only the Harmony Museum has a permanent exhibit describing his mission and its route. Butler County has marked highways and Moraine State Park hiking and biking trails with “Washington 1753” signs for the convenience of tourists wishing to follow Washington’s approximate path within the county, and other counties are preparing to do so. 

Britain won its contest with France for the unsettled Ohio Valley and Northwestern Territories in what came to be called the French and Indian War, the North American part of what expanded into the global Seven Years’ War.

On Oct. 31, 1753, Virginia militia Major George Washington, then 21, left Williamsburg for Ft. LeBoeuf, south of Lake Erie, with Gov. Robert Dinwiddie’s demand that the French withdraw from British territory and to assess the French military. Traveling in bad weather and guided by Christopher Gist, he slept Nov. 30 at a Delaware Indian village where Harmony would be established a half-century later. At Ft. LeBoeuf the French responded to Dinwiddie’s ultimatum by demanding the British get out of New France, and war was assured. On Dec. 27, Washington and Gist returned to the Indian village visited weeks before, where one of “a party of French Indians” offered to show them to the Forks of the Ohio, then led them off course and shot at Washington but missed. Two days later Washington survived a spill into the ice-choked Allegheny River. He arrived in Williamsburg on Jan. 16, 1754.

The French soon evicted Virginians from the Forks of the Ohio and built Ft. Duquesne there. In the first skirmishes of the French & Indian War, Lt. Col. Washington’s militia attacked a small French unit on May 28, 1754, at Great Meadows (near Uniontown), and a substantial force won revenge with Washington’s humiliating surrender July 4 at nearby Ft. Necessity.


Click to view the map
of Washington's Trail.

 

 

 

 

 

 

 

 

 

The Victorian Room: Furniture and other pieces associated with the Victorian era are grouped here in a parlor setting. Among these are an early piano, European bone china, a rocking horse (with horse hair tail and mane) and folding chairs with Brussels fabric are well over a century old. A huge framed charcoal drawing of Mrs. Elias Ziegler in her "widow's weeds" is hung in one corner.

 

 

 

 

 

vict.jpg (39631 bytes)

horse.jpg (37400 bytes)

 

The Andrew Ziegler Ziegler Log House: Across Main Street from the museum is a dwelling made of huge hand-hewn oak logs. It was disassembled in nearby Middle Lancaster and reconstructed on its present site as a U.S. Bicentennial project. Used as an educational site, the house contains early American furniture as well as implements for spinning and weaving, rope-making, dyeing corn grindings, bread making and other crafts.

 

 

 

 

 

log.jpg (65118 bytes)

logins.jpg (60206 bytes)

The Wagner-Bentel House: This is the sole brick duplex that the Harmonists built, constructed for two sisters and their families. The structure, although containing only one chimney, had two very large stone fireplaces, one for each family. Walled over at some time in the past, they have been restored by the museum. One room's exhibits address the local medical profession of the 19th and 20th centuries. An important artifact displayed here is the huge clock that once hung in the tower of the Harmonist Meetinghouse close to the museum. Souvenirs, craft goods, and books, may be purchased here in the Museum Shop.
 

wagbent.jpg (52596 bytes)

 

 

The Harmonist Cemetery: During the 10 years the Harmonists were at Harmony, 100 members of the Society were buried in the commune's cemetery just east of town. The Society did not mark the graves of its dead. A memorial to George Rapp's son, Johannes, who died in Harmony, was created by non-Harmonists. The Harmony Society contracted with Mennonite Stoneworkers in 1869 to construct the cemetery wall and its unique one-ton rotating gate.

 

 

 

 

 

harcem.jpg (37192 bytes)

harmcem2.jpg (47910 bytes)
 

Harmonist Log House: A museum annex on the north side of Mercer Street two blocks east of the main museum building, it was a gift from a local company and reconstructed on a donated lot. It stood originally in the west end of old Harmony.

 

 

 

 

 

 

 

 

 

 

Vineyard Hill & Rapp’s Seat: On Evergreen Mill Road at the north end of the Mercer Road bridge in Harmony, the heavily wooded hillside overlooking the Connoquenessing Creek was the site of the Harmony Society’s vineyard. A seat carved into a rock outcrop is where society leader Georg Rapp meditated. Partially accessible by a steep, difficult trail.
 

 

The Region's Oldest Barn: On the west side of Mercer Road just north of the bridge, it was purchased in 1999 to prevent demolition of the last surviving barn among the three communities built by the Harmony Society. The 1805 barn housed the Society’s Marino sheep and was re-roofed ca. 1850, perhaps as the consequence of tornado damage, by David Ziegler, a son of Harmony’s Mennonite “second founder” Abraham Ziegler. Restoration to the1805-1850 period was completed in 2005      
   

 

 

 


1999


2005

The Mennonite Meetinghouse: Harmony's Mennonites built their stone meetinghouse in 1825 near their hilltop cemetery just north of town. The brick annex was an early addition. Services were always conducted in German. The congregation dwindled as the 19th century progressed, and the last regular services to be held in the meetinghouse occured in 1902. It is the oldest Mennonite meetinghouse west of the Alleghenies, and the most original early Mennonite meetinghouse in the nation.

 

 

 

 

 

 

 

 

meetinghs.jpg (53840 bytes)

meetinghs2.jpg (65466 bytes)

meetinghs3.jpg (56252 bytes)